Understanding the Poor Reception of ‘Emilia Pérez’ in Mexico

The film, “Emilia Pérez,” despite its 13 Academy Award nominations and Golden Globe win, has faced significant backlash in Mexico due to its controversial portrayal of the country and minimization of cartel violence. Released late in Mexican theaters, the film’s reception has been poor, leading to empty screenings and refund requests, contrasting sharply with its success abroad.

The film “Emilia Pérez,” which centers on a transgender Mexican cartel leader reconciling with her past, is nominated for 13 Academy Awards, the highest for any film this year. Despite its accolades, including a Golden Globe for best comedy or musical, the film has received severe backlash in Mexico for how it portrays the country. Critics argue it downplays the devastating impact of cartel violence and lacks Mexican involvement in its production.

Offensive remarks about the Spanish language from the film’s French writer-director, Jacques Audiard, as well as comments by lead actress Karla Sofía Gascón regarding Islam and George Floyd, have intensified the criticism from Mexican audiences. The film was released in Mexican theaters on January 23, five months after its premiere in France, and has seen largely empty screenings, leading some patrons to request refunds.

In stark contrast to the film’s international acclaim, a parody short film that lampoons its French origins enjoyed significant popularity in Mexico. “Emilia Pérez” has sparked numerous memes on social media, and families of violence victims in Mexico have publicly condemned it. Film expert Francisco Peredo Castro characterized the film’s reception as disastrous.

In summary, while “Emilia Pérez” garners international recognition with numerous awards and nominations, it has faced heavy criticism in Mexico for its portrayal of the nation and the issues it addresses. The negative reception is compounded by the film’s delayed release and the contentious remarks made by its creators, leading to a disappointing box office performance.

Original Source: www.nytimes.com